ANTONY BUONOMO

Art work by Antony Buonomo, text by Iva Said

Dear Money give us much more than our daily bread. Give us a constant and abundant supply of cash day and night. Deliver us from scruples and timidity so that we rip off better our brother. Make us shameless and immoral so that we can serve you better. Make us ungrateful and unsatisfied. Give us the wits to invent more and new ways of extoroction, corruption and embezzlement. Give us strong hands and jaws so that we can eat the Other alive. Fill our hearts with greed so that there ramin no place for other feeling nor emotion. Dear Money here we are open for you to flood our lives. Give us luxurious yachts, airplanes and cars. Give us our private islands in Ionnic and other seas. Give us endless ambition and crazy ideas to win by spending more and more of you. The only personal development is the financial one. The only growth is the growth of our bank account. The only achievement is the achievement of bigger richness. The only dissency is the one achieved through tax evasion. There is no past. There is no future. There is no time-space continuum - Money is the only dimension. Money IS Whatever you touch from down to dusk and dusk to down is Money. Your pillow is Money, your toothbrush is Money, the mirror you look yourself into is Money, all you touch is Money. Your wife is Money, your son is Money. You are Money! All the Money your parents invested in you, all the Money everybody else invested in you, all the cakes you ate and champagne you drank and coke you snorted. All your flights, train and car rides. You are endless amounts of money wan, spent and yet to come. Money is all around us. Money is in us. In each and every one of us. Money is omnipresent. Money is all potent and almighty. Money is e t e r n a l. Money is your gate to eternal life.

Lightbox by Antony Buonomo

Store Street Gallery's Stray Disappointment

Store Street Gallery's London Contemporary Art Prize ( 26 July - 26 August 2018) was a disappointing experiance....more of the genre Yesterday's Worn Out Decoration Prize.
With a sole exception - the light boxes by Antony Buonomo.


Other than that most of the exhibited "art" would easily find its worthy place and buyers in Habitat, Furniture Village or the alike.

 

For more of Antony's art here

For Antony's graphic design here


Dining with A

Or Porsche in the Sea

 

Good food makes life look simple. That's where its magic is. The moment your palette realises what you have fed your mouth with, the body follows, all complicated thoughts, entangled problems, detailed fears and obnoxious suspicions straighten up and evacuate. Evacuate rather orderly and swiftly. Letting the space for the world to step in. Like the awakening of Tom Cruise in Interview with a Vampire, the beast in oneself awakens and its "Hello World!" scares all the shadows of the tiny human self.


Last time this happened to me was in Naples, where I spent an entire week in the so described bestial state. Very awake, even alert, devouring with equal appetite food, monuments, people and sea. A good pasta cozze e eco the Mediterranean is Mare Nostrum knee deep.


Before that it was the dome of sheep cheese finely wrapped on the tomatoes, grilled peppers and cucumber of the Skopska salad in the garden of a truck-drivers' restaurant somewhere in Macedonia. A white summit between the blue Balkan mountains.


Before that it was the sheer madness and glee of 19th century cuisine au beurre juxtaposed with the delights of Caspian kitchen at Monet Cafe. This little cafe with its two-table balcony overlooking the river Mt'k'vari just at the edge of Tbilisi Old Town. Chicken with nuts - Georgian or Iranian of origin? and next to it the pork medallion with mushroom sauce, more mushroomy and creamy than my childhood memory of a mushroom sauce (as even my mother's grandmother must have used a more a contemporary receipt than this one, learned by the Moscovites from Napoleon's own captured chef in 1812, untainted by the perversions of time and ideology, preserved in its orthodox form through all the red decades and transmitted as an old saint's relic  to the People of the Caspian Republic). Yes, as complex and complicated as a national cuisine might be, when the food is good it makes life looks simple, even if there are no traffic regulations and half of the cars are 40 years old Russian-made Ladas, spacious and reliable as tanks, driving wheel on the left, while the other half are 35 year old Toyotas, imported from Japan with a driving wheel on the right.


Where food is a bridge among cultures and nations, so the country is; thus Tbilisi is the Las Vegas of Eurasia where couples of different nationalities can marry in one working day with only personal documents, in a legitimate, world recognised marriage (Georgia is visa free for 94 nations. If you intend a speedy marriage with an escapee Saudi princess or already triple married Emirati prince  check Georgia out).


So yes, the theme might be developed: Where food and wine are good life not just looks, but is made administratively simple (you can equally open a company and get a Georgian passport in one working day). Whereas of the Georgian wine, it requires an essey on itself.


...where was I... Ah, all this just to say that I had a surprisingly similar effect dining last night at Sea Containers, Southbank. "Who eats here?" I asked, but won't quote A's answer. Half an hour later a handsome, tall and out-of-this-worldly polite (that's why North America freaks me out: a whole continent of intensive, Neuveau Mondly politeness) Jordan presents himself, with a business card, and explains that he is a sport cars driver participating in a 300 something event, which means that he will drive his latest model Porsche in 300 places around the world. That's as to who eats there.


Now were was I again...hmmm I don't know why but I still hesitate to say 'Go eat there’, therefore I will just say the food at Sea Containers last night made my life looks simple.


Also, if the Skookum Festival in Canada looks anywhere like its president + ringmaster (Jordan's business card quoted), we should all be there for its next edition, and who knows, eat grizzly palm? Buffalo rib? See if that makes Canadian forests look waist high.

 

 

Antony with elevator art at the Mondrian / Sea Conteiners


Collage and photography

Darn it. You’ve just missed ‘Selfie-Destruction Portrait of the Countess of Brighton and Hackney’ by Nico & Vittorio and Ines Sole at the Brick Lane Gallery, 11-15 October 2017. All light boxes and prints now sold out.


You also passed up the unforgettable Private View on 12 October, with performance by living exhibit - The Golden Dominatrix.